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Wayne Scott - This Weary Way
This has been a long time coming----an album of original songs by, my dad - Wayne Scott.
Growing up on a tobacco farm in Crane's Nest, Kentucky in the 30's and
40's, the eleventh of thirteen children, four themes fill his stories-
work, family, church and music-probably in that order. He tells of a
sacred tree that he would climb as a boy to escape whatever heat he was
in at home, or to reflect on the end of a long workday, or a place to
question god and love, or to sing for the first time on his own, away
from the fields, the house or porch singing, playing and working with
his family- alone in his sacred tree. I imagine that tree to be the
place where he put his first poems and songs together-giving voice to
what he'd process between Southern Baptist church music and the Grand
Ole Opry. I imagine that tree is where he started a dream of being a
country music artist.
He was and is a country music
artist. He'd sing and write his songs in the closet while working car
factories in Dearborn, Michigan through the 50's. He'd sing and write
while working steel mills of Gary, Indiana through the 60's or
installing chain link fences in Southern California through the 70's-
this is time measured in decades, folks.
Five children, all boys, were born from '53 to '68. At times he worked
3 jobs (remember those themes: work, family, church and music?). While
music was down the list of priorities, he inspired all of his boys with
music. It took me until nearly adulthood to realize those great songs
he'd sing at home were not all Hank Williams'- they were his songs
influenced by Hank, Johnny Cash and Merle Haggard. (can you name 3
more influential country artists to be influenced by?)
By the mid 70's, with the boys grown or nearly, he did step out and
play music in honky tonks, truck stop bars, bowling alley lounges,
mexican restaurants, taverns and dives from Alaska to New Mexico, but
mostly Southern California. But, never... never doing his own songs.
The bars had become another version of "working for the man"- the
car-plant foreman, the steel mill boss, or the nightclub owner- music
to keep people drinking and dancing, by performing country standards and songs of the country radio playlist. My brothers and I played with him at that time. (I was 14- I learned to play lead guitar and pedal steel by playing with him 5 sets
a night) His own songs stayed in the closet, for the most part, until now.
This recording may be a proud and thankful son helping to document his
father's lifework- it is both the least and most that I could do.
and
This recording may be the documenting of one of the most authentic
country artists you've never heard. You be the judge. He is 71 now. He
doesn't understand why we have done this recording. Maybe you will. If
you do, tell him.
- Darrell Scott
When I was about seven years old, I was going back to school. I came home for
lunch. I could make it if I ran fast, both ways and ate fast, I was good at
both of them back then. On the way back, I saw this ditch about 4 ft. deep.
Nothing in it so I got an idea. I had always heard of ditching school, so I
jumped in the ditch. In my state of mind I had to stay there all afternoon. If
I came out, Mom could see me from home, neighbors could see me in another
direction and the school, yet another. I was pinned down. The only thing that
happened the whole afternoon: an old lady came looking for her cow, late in the
afternoon. She would yell “sook heifer, sook
heifer”. She kept getting louder, and louder
and closer. I thought sure she was coming to me. Anyway, she missed by about 20 ft. Somehow I finally got to high
school. The best part of it was getting back to ditching
school. I would go into the woods there on school property and try my best to
write songs. It was so pretty, the wind, the
birds. I could tell when the class was over, or the ball game was over. I was
near and so far away. I was about 30 years old
before I figured out I should keep these songs.
There's an old joke that always guided me about my songs (an old maid about as old as I am now,
HA!) said
when she was a lot younger she tried sex one
time and decided it wasn't worth a damn; so, she'd just
be an old maid. That was me with my songs.
Other than my sons, I didn't want to bother anybody with them. Since I am not a
teacher, I can say it my way. We are full of songs and stories. If we don't
write them, they won't be written. Don't go anywhere without your pen. I still
carry mine. Don't be like me and that old
maid.
This brings it down to the biggest dream of it all. Just listen to
Darrell and his best friends here. I can
still see each and everyone of them in the next booth or on their mike. Thanks
son and everybody in here.
- Wayne Scott
Wayne Scott
This Weary Way
FLR-0502
UPC: 829372000827
Produced by Darrell Scott
Recorded and mixed by Miles Wilkinson
Mixed at Pleasure Palace and Famous Music, Nashville, TN
Mastered by Randy Leroy at Final Stage Mastering, Nashville, TN
“It’s The Whiskey That Eases The Pain” (duet with Guy Clark) (3:53)
Wayne Scott, Harlan County Music [BMI] administered by Bug Music
Recorded in Darrell’s living room Hermitage, TN
“Sunday With My Son” (3:08)
Wayne Scott, Harlan County Music [BMI] administered by Bug Music
Recorded in Darrell’s living room Hermitage, TN
“The Writer” (1:29)
Wayne Scott, Harlan County Music [BMI] administered by Bug Music
Recorded in Darrell’s living room Hermitage, TN
“Sinner” (2:45)
Wayne Scott, Harlan County Music [BMI] administered by Bug Music
Recorded at Bedrock Studio Nashville, TN
“This Weary Way” (4:07)
Wayne Scott, Harlan County Music [BMI] administered by Bug Music
Recorded in Darrell’s living room Hermitage, TN
|  | “I Wouldn’t Live In Harlan County” (3:38)
Wayne Scott / Darrell Scott, Harlan County Music [BMI]/
Songs of Ashwood/Famous Music Corp. [ASCAP]
Recorded in Darrell’s living room Hermitage, TN
“When It’s Raining After Midnight” (4:18)
Wayne Scott, Harlan County Music [BMI] administered by Bug Music
Recorded in Wayne’s living room Cranes Nest, KY
“In The Mountains” (2:04)
Wayne Scott, Harlan County Music [BMI] administered by Bug Music
Recorded at Bedrock Studio Nashville, TN
“My Last Bottle Of Wine” (3:42)
Wayne Scott, Harlan County Music [BMI] administered by Bug Music
Recorded at Bedrock Studio Nashville, TN
“Since Jesus Came Into My Heart” (2:54)
Wayne Scott, Harlan County Music [BMI]
Recorded in Darrell’s living room Hermitage, TN
“What I Really Need Is You” (3:03)
Wayne Scott / Darrell Scott, Harlan County Music [BMI]
Songs of Ashwood/Famous Music [ASCAP]
Recorded at Bedrock Studio Nashville, TN
“Folsom Prison Blues” (3:23)
Johnny Cash, House Of Cash, Inc. [ASCAP]
Recorded live by Miles Wilkinson and Mervin Luke at Douglas Corner Cafe, Nashville, TN |
Tim O’Brien appears courtesy of Sugar Hill Records
Casey Driessen appears courtesy of Sugar Hill Records
Verlon Thompson appears courtesy of VNS Records
Cover and back photos by Senor McGuire
Inside photos by Wayne’s family |
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