There is an absence of light, before the light. A simple bare stage in the waning gloaming, and I can see Darrell make his way to a lone microphone. He is here to shine that light on matters of the heart─the grit, grease, gristle, and most importantly, the marrow beneath the breastbone.
And what is the path that shapes us as we go along, those true defining moments without which we would be hollow versions of our current selves? For Darrell, it was coming from a musical family with a father who had him smitten with guitars by the age of 4, alongside a brother who played Jerry Reed style as well. From there, things only ramped up with literature and poetry endeavors while a student at Tufts University, along with playing his way through life. This would never change.
When those hands of his make their way across the strings and fretboard, there is palpable loss of air in the theater, as the listeners, our feet and bodies firmly on the ground, watch his sonic wings take him upwards in flight, and realize we are as along for the ride through the skies as he is. Inevitably, to feel this being channeled, privy to this shared physical space, is both heady and inspiring. Small are the number of things in life which allow us to be so deeply immersed and mesmerized by a moment that we are unable to even be aware of the rest of the world humming and whirring away outside. This is Darrell Scott terra firma, where he takes us, with these otherworldly gifts.
The wordsmithing and craftsmanship of the songs that become timeless─although a lost cause for many who try to write them─ is far from a dying art, thanks to Darrell’s work. He is more so existing creatively at levels we just don’t fathom anymore. He mines and cultivates the everyday moment, taking the rote, menial, mundane, and allowing it to be surreal, ever poignant, and candidly honest, lilting, blooming, and resonating. The words he fosters allow us to make sense of the world, what is at stake here, and our place in it. And ultimately, Darrell knows the sole truth of life is that love is all that matters, that we don’t always get it right, but that’s the instinctive and requisite circuitous allure of things, why we forever chase it, and why it is held sacred.
2017 and 2018 Darrell opened for and performing with the Zac Brown Band, these days find him roaming his Tennessee wilderness acreage hiking along the small river, playing music, or sharing each day with the woman he loves, also an artist in her own right. He often leads songwriting workshops to help people tell their own truths with their stories, and is as busy as always writing, producing, performing, and just plain fully immersing himself at the hips in life.
If one really opens their eyes and sees how incomparably varied in surreal depth and breadth the musical territory he is both delving into and setting the high water mark with, it leaves the rest in a bewildered wash of gravel road dust and fading taillights. For good luck finding that two-legged soul who walks around among us who can keep up with him─aint gonna happen.
Nathaniel Riverhorse Nakadate~
The Creative Work
*Two Dixie Chicks Cuts
*Patty Loveless doing Never Leave Harlan Alive and played banjo on her cut
*It’s a Great Day to be Alive Travis Tritt.
*Wrote all his own records, many recordings folks have not heard, wrote three songs with his father.
*Born To Fly by Sara Evans
*He loves the Guy Clark records, Band of Joy with Robert Plant, Buddy Miller, Patty Griffin….shined for their live performances…Steve Earle Bluegrass Dukes played banjo and Dobro and vocals
*Player and Writer in Anthony Hamilton record Save Me
*Three records with Tim O’Brien
*His records and shows
*Co-Artistic Director for 2 seasons with the Nashville Chamber Orchestra..including a Bill Frissel night
*Performed a song with Preservation Hall Jazz Band at Preservation Hall New Orleans
*Nominated for 4 grammys
*Songwriter of the year NSAI and ASCAP
*Song of the Year Hank Williams Ghost
*His own records, and Malcolm Holcombe Pretty Little Lies
*His dad’s record Weary Little Ways, made when he was in his 70’s.
*Zac Brown song Heavy is the Head, co-wrote, and performed, along with Chris Cornell, reached #1 in rock.
*Worked on 4 records with Guy Clark, Dublin Blues, Keepers, and two as a co-producer Mud and Cold Dog Soup